A FREQUENT APPEARER IN THE FICTION EMPIRE

Total Record Results: 164

#	Record Name	Source	Group	Category	Subcategory
1	Narrator	THE YELLOW WALLPAPER 1892 Literature	Other	Quotes	Quotes
	THE YELLOW WALLPAPER Narrator Narrator: I've got out at last, in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!
2	Narrator	THE YELLOW WALLPAPER 1892 Literature	Other	Quotes	Quotes
	THE YELLOW WALLPAPER Narrator Narrator: The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.
3	Narrator	THE YELLOW WALLPAPER 1892 Literature	Other	Quotes	Quotes
	THE YELLOW WALLPAPER Narrator Narrator: The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions - why, that is something like it.
4	Narrator	THE YELLOW WALLPAPER 1892 Literature	Other	Quotes	Quotes
	THE YELLOW WALLPAPER Narrator Narrator: It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things.
5	Narrator	DARKNESS AT NOON 1940 Literature	Other	Quotes	Quotes
	DARKNESS AT NOON Narrator Narrator: The principle that the end justifies the means is and remains the only rule of political ethics. Anything else is just a vague chatter and melts away between one's fingers.
6	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: You're traveling through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination. That's the signpost up ahead. Your next stop, the Twilight Zone!
7	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: James Elwood, master programmer. In charge of Mark 502-741, commonly known as Agnes, the world's most advanced electronic computer. Machines are made by men for man's benefit and progress, but when man ceases to control the products of his ingenuity and imagination he not only risks losing the benefit, but he takes a long and unpredictable step into... the Twilight Zone.
8	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: There's a saying- Every man is put on earth condemned to die. Time and method of execution unknown.
9	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: You're traveling through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land of imagination. Next stop, the Twilight Zone!
10	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: Up there, up there in the vastness of space, in the void that is sky, up there is an enemy known as isolation. It sits there in the stars waiting, waiting with the patience of eons, forever waiting, in the Twilight Zone.
11	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: You are about to enter another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land of imagination. Next stop, the Twilight Zone!
12	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone.
13	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.
14	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: The place is here. The time is now, and the journey into the shadows that we are about to watch, could be our journey.
15	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: Her name is the S.S. Queen of Glasgow. Her registry: British. Gross tonnage: 5,000. Age: Indeterminate. At this moment she's one day out of Liverpool, her destination New York. Duly recorded on the ship's log is the sailing time, course to destination, weather conditions, temperature, longitude and latitude. But what is never recorded in a log is the fear that washes over a deck like fog and ocean spray. Fear like the throbbing strokes of engine pistons, each like a heartbeat, parceling out of every hour into breathless minutes of watching, waiting and dreading... For the year is 1942, and this particular ship has lost its convoy. It travels alone like an aged blind thing groping through the unfriendly dark, stalked by unseen periscopes of steel killers. Yes, the Queen of Glasgow is a frightened ship, and she carries with her a premonition of death.
16	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: Tonight's story on The Twilight Zone is somewhat unique and calls for a different kind of introduction. This, as you may recognize, is a map of the United States, and there's a little town there called Peaksville. On a given morning not too long ago, the rest of the world disappeared and Peaksville was left all alone. Its inhabitants were never sure whether the world was destroyed and only Peaksville left untouched or whether the village had somehow been taken away. They were, on the other hand, sure of one thing: the cause. A monster had arrived in the village. Just by using his mind, he took away the automobiles, the electricity, the machines, because they displeased him, and he moved an entire community back into the dark ages, just by using his mind.
17	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: What you are about to watch is a nightmare. It is not meant to be prophetic, it need not happen, it's the fervent and urgent prayer of all men of good will that it never shall happen. But in this place, in this moment, it does happen. This is the Twilight Zone.
18	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: You unlock this door with the key of imagination. Beyond it is another dimension. A dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.
19	Narrator	THE TWILIGHT ZONE 1959 TV Series	Other	Quotes	Quotes
	THE TWILIGHT ZONE Narrator Narrator: You are traveling through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination. Your next stop, the Twilight Zone!
20	Narrator	HOW THE WEST WAS WON 1962 Film	Other	Quotes	Quotes
	HOW THE WEST WAS WON Narrator Narrator: This land has a name today, and is marked on maps. But, the names and the marks and the maps all had to be won, won from nature and from primitive man.
21	Narrator	LA JETEE 1962 Film	Other	Quotes	Quotes
	LA JETEE Narrator Narrator: They begin again. The man doesn't die, nor does he go mad. He suffers. They continue.
22	Narrator	LA JETEE 1962 Film	Other	Quotes	Quotes
	LA JETEE Narrator Narrator: Nothing distinguishes memories from ordinary moments. Only later do they become memorable by the scars they leave.
23	Narrator	LA JETEE 1962 Film	Other	Quotes	Quotes
	LA JETEE Narrator Narrator: This time he is close to her, he speaks to her. She welcomes him without surprise. They are without memories, without plans. Time builds itself painlessly around them. Their only landmarks are the flavour of the moment they are living and the markings on the walls.
24	Narrator	THE FUGITIVE 1963 TV Series	Other	Quotes	Quotes
	THE FUGITIVE Narrator Narrator: Name, Richard Kimble. Profession, Doctor of Medicine. Destination, Death Row, State Prison. Richard Kimble has been tried and convicted for the murder of his wife. But laws are made by men, carried out by men. And men are imperfect. Richard Kimble is innocent. Proved guilty, what Richard Kimble could not prove was that moments before discovering his wife's body, he encountered a man running from the vicinity of his home. A man with one arm. A man he had never seen before. A man who has not yet been found. Richard Kimble ponders his fate as he looks at the world for the last time. And sees only darkness. But in that darkness, fate moves its huge hand.
25	Narrator	THE 10TH VICTIM 1966 Literature	Other	Quotes	Quotes
	THE 10TH VICTIM Narrator Narrator: She might have been any man's fatality. Caroline Meredith, a slim and lissom young lady seated pensively behind a high mahogany bar, her slim legs wrapped enraptured one around the other, her long, exquisitely carved face reminiscent of antique jade, yet colored the faintest of ivories, directed downward into the unfathomable depths of her martini. Statue-like, yet disturbingly alive, clad in the loveliest of silks and with a jet black sable coat flung carelessly over her superb shoulders, she might have stood for all that was fine and good and desirable in the strangely desperate city of New York.
26	Narrator	TWO OR THREE THINGS I KNOW ABOUT HER 1967 Film	Other	Quotes	Quotes
	TWO OR THREE THINGS I KNOW ABOUT HER Narrator Narrator: What is art? Form becoming style, but the style is the man, therefore art is the humanizing of forms.
27	Narrator	TWO OR THREE THINGS I KNOW ABOUT HER 1967 Film	Other	Quotes	Quotes
	TWO OR THREE THINGS I KNOW ABOUT HER Narrator Narrator: There is increasing interaction between images and language. One might say that living in society today is almost like living in a vast comic strip.
28	Narrator	TWO OR THREE THINGS I KNOW ABOUT HER 1967 Film	Other	Quotes	Quotes
	TWO OR THREE THINGS I KNOW ABOUT HER Narrator Narrator: Our thoughts are not the substance of reality, but its shadow.
29	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: We refer to him by different names- Lucifer, Mephistopheles, Beelzebub- but by any other name, he'd smell of brimstone. These, the ingredients to a one man stew: a disc jockey, a radio show, and a painting we call 'The Flip-Side of Satan'.
30	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: To the shoppers, the hunters, the sifters and the winnowers, to those of you who comprise that vast fraternity of picture-watchers, we offer you this salon of the special and the supernatural.
31	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Take your positions, if you will now. The camera's ready and smile, please.
32	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: On display this evening, a pastiche of paintings from oddball-land. The poet Sir Max Beerbohm reflected that no one ever died of laughter. Object of brush and palette: the rebuttal.
33	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening. We welcome you to this palladium of art treasures that range from the kooky to the uncommon, from the bestial to the bizarre, and I'd like to take you on a guided tour through the Night Gallery. A collection of paintings on display for only the most discriminating because it's best that they be seen both after and in the dark.
34	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening. Please come in. The little objets d'art that you see surrounding me you won't find in your average art museum, because these are unusual paintings and statuary that come to life- or death, whatever the case may be- because this is the Night Gallery.
35	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening. Of course you're all here by invitation, but don't let it disturb you if these paintings, per se, don't happen to be your thing. These are rather special paintings, the kind of hangings generally put up with a noose.
36	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening. Let me welcome you to this parlor of paintings. We offer them to you for your enjoyment and edification. Feel free to dwell on them at your leisure and in your own good fashion. But kindly don't touch, because here they frequently touch back.
37	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening, Art Lovers. For your enjoyment and edification: three paintings on display, part of a collection of kookery unique to this special exhibit.
38	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening, and welcome to the Night Gallery. Now, if you'll just follow me. Time again for your weekly excursion into the cultural. Paintings, statuary, still-lifes, collages, some abstracts- and some items in ice. That's not the technique- that, hopefully, is what we turn your blood into.
39	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collector's item in its own way - not because of any special artistic quality, but because each captures on a canvas, suspends in time and space, a frozen moment of a nightmare.
40	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening and welcome to the Night Gallery, a potpourri of paintings slightly 'tilt' and left of center.
41	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: A very hearty welcome to Night Gallery, and to a collection of art not found in your average museum. These are paintings that represent life. but occasionally death as well.
42	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: A most heart welcome to those of you whose tastes in art lean toward the bizarre.
43	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: A most cordial welcome to this nocturnal arcade, featuring canvases that are sometimes a bit on the peculiar side, sometimes uncommon- sometimes a few frescoes of the freakish.
44	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Good evening. We offer you an evening's sojourn amongst the wild, the woolly, the unbelievable. sometimes made believable.
45	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: You're most welcome in this particular museum. There's no admission, no requirement of membership, only a strong and abiding belief in the dark at the top of the stairs, or things that go bump in the night.
46	Narrator	NIGHT GALLERY 1970 TV Series	Other	Quotes	Quotes
	NIGHT GALLERY Narrator Narrator: Welcome, Ladies and Gentlemen, to an exhibit of the eerie and the oddball.
47	Narrator	THE TEXAS CHAINSAW MASSACRE 1974 Film	Other	Quotes	Quotes
	THE TEXAS CHAINSAW MASSACRE Narrator Narrator: The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre.
48	Narrator	ZEN AND THE ART OF MOTORCYCLE MAINTENANCE 1974 Literature	Other	Quotes	Quotes
	ZEN AND THE ART OF MOTORCYCLE MAINTENANCE: AN INQUIRY INTO VALUES Narrator Narrator: What is in mind is a sort of Chautauqua... that's the only name I can think of for it... like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer.
49	Narrator	MONTY PYTHON AND THE HOLY GRAIL 1975 Film	Other	Quotes	Quotes
	MONTY PYTHON AND THE HOLY GRAIL Narrator Narrator: In the frozen land of Nador, they were forced to eat Robin's minstrels and there was much rejoicing.
50	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: The infinite Improbability Drive is a wonderful new method of crossing vast interstellar distances in a mere nothingth of a second, without all that tedious mucking about in hyperspace.
51	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: The Dentrassis are an unruly tribe of gourmands, a wild but pleasant bunch whom the Vogons had recently taken to employing as catering staff on their long-haul fleets, on the strict understanding that they keep themselves very much to themselves.
52	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: Hooloovoo is a superintelligent shade of the color blue.
53	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: At that moment the bottom fell out of Arthur's mind. His eyes turned inside out. His feet began to leak out of the top of his head. The room folded flat around him, spun around, shifted out of existence and left him sliding out of his own navel. They were passing through hyperspace.
54	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: Ix - boy who is not able satisfactorily to explain what a Hrung is, nor why it should choose to collapse on Betelgeuse Seven.
55	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: The Hitchhiker's Guide to the Galaxy also mentions alcohol. It says that the best drink in existence is the Pan Galactic Gargle Blaster. It says that the effect of drinking a Pan Galactic Gargle Blaster is like having your brains smashed out by a slice of lemon wrapped around a large gold brick. The Guide also tells you on which planets the best Pan Galactic Gargle Blasters are mixed, how much you can expect to pay for one and what voluntary organizations exist to help you rehabilitate afterward. The Guide even tells you how you can mix one yourself.
56	Narrator	THE HITCHHIKER'S GUIDE TO THE GALAXY 1978 Literature	Other	Quotes	Quotes
	THE HITCHHIKER'S GUIDE TO THE GALAXY Narrator Narrator: If human beings don't keep on exercising their lips, he thought, their brains start working.
57	Narrator	LIFE, THE UNIVERSE AND EVERYTHING 1982 Literature	Other	Quotes	Quotes
	LIFE, THE UNIVERSE AND EVERYTHING Narrator Narrator: Two grillion guys zilched out when Krikket attacked the galaxy.
58	Narrator	LIFE, THE UNIVERSE AND EVERYTHING 1982 Literature	Other	Quotes	Quotes
	LIFE, THE UNIVERSE AND EVERYTHING Narrator Narrator: In the end, it was the Sunday afternoons he couldn't cope with, and that terrible listlessness which starts to set in at about 2:55, when you know that you've had all the baths you can usefully have that day, that however hard you stare at any given paragraph in the papers you will never actually read it, or use the revolutionary new pruning technique it describes, and that as you stare at the clock the hands will move relentlessly on to four o'clock, and you will enter the long dark teatime of the soul.
59	Narrator	THE A-TEAM 1983 TV Series	Other	Quotes	Quotes
	THE A-TEAM Narrator Narrator: In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.
60	Narrator	MONTY PYTHON'S THE MEANING OF LIFE 1983 Film	Other	Quotes	Quotes
	MONTY PYTHON'S THE MEANING OF LIFE Narrator Narrator: Hello, good evening, and welcome to the middle of the film.
61	Narrator	PET SEMATARY 1983 Literature	Other	Quotes	Quotes
	PET SEMATARY Narrator Narrator: Louis was aware, uncomfortably so, that Ellie probably knew a hell of a lot more about Ronald McDonald and Spider-Man and the Burger King than she did about Moses, Jesus and Saint Paul.
62	Narrator	PET SEMATARY 1983 Literature	Other	Quotes	Quotes
	PET SEMATARY Narrator Narrator: Lunch. Meeting for lunch. This seemed such an alien idea that Louis thought of the science fiction novels he had read as a teenager - novels by Robert A. Heinlein, Murray Leinster, Gordon R. Dickson. The natives here on Planet Quark have an odd custom when one of their children dies, Lieutenant Abelson: they "meet for lunch." I know how grotesque and barbaric that sounds but remember, is planet has not been terraformed yet.
63	Narrator	TWILIGHT ZONE: THE MOVIE 1983 Film	Other	Quotes	Quotes
	TWILIGHT ZONE: THE MOVIE Narrator Narrator: You're about to meet an angry man. Mr. William Connor, who carries on his shoulder a chip the size of the national debt. This is a sour man, a lonely man, who's tired of waiting for the breaks that come to others, but never to him. Mr. William Connor, whose own blind hatred is about to catapult him into the darkest corner of the Twilight Zone.
64	Narrator	SO LONG, AND THANKS FOR ALL THE FISH 1984 Literature	Other	Quotes	Quotes
	SO LONG, AND THANKS FOR ALL THE FISH Narrator Narrator: Since he had left Denmark the previous afternoon, he had been through types 33 (light pricking drizzle which made the roads slippery), 39 (heavy spotting), 47 to 51 (vertical light drizzle through to sharply slanting light to moderate drizzle freshening), 87 and 88 (two finely distinguished varieties of vertical torrential downpour), 100 (post-downpour squalling, cold), all the seastorm types between 192 and 213 at once, 123, 124, 126, 127 (mild and intermediate cold gusting, regular and syncopated cab-drumming), 11 (breezy droplets), and now his least favourite of all, 17. Rain type 17 was a dirty blatter battering against his windscreen so hard that it didn't make much odds whether he had his wipers on or off.
65	Narrator	SO LONG, AND THANKS FOR ALL THE FISH 1984 Literature	Other	Quotes	Quotes
	SO LONG, AND THANKS FOR ALL THE FISH Narrator Narrator: What then? What happened next? And the answer is, of course, that the book ended. The next one didn't resume the story till five years later, and you can, claim some, take discretion too far. This Arthur Dent, comes the cry from the furthest reaches of the galaxy, and has even now been found inscribed on a mysterious deep space probe thought to originate from an alien galaxy at a distance too hideous to contemplate, what is he, man or mouse? Is he interested in nothing more than tea and the wider issues of life? Has he no spirit? has he no passion? Does he not, to put it in a nutshell, fuck?
66	Narrator	SO LONG, AND THANKS FOR ALL THE FISH 1984 Literature	Other	Quotes	Quotes
	SO LONG, AND THANKS FOR ALL THE FISH Narrator Narrator: If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
67	Narrator	SO LONG, AND THANKS FOR ALL THE FISH 1984 Literature	Other	Quotes	Quotes
	SO LONG, AND THANKS FOR ALL THE FISH Narrator Narrator: It folded back on itself like something that Maurits C. Escher, had he been given to hard nights on the town, which is no part of this narrative's purpose to suggest was the case, though it is sometimes hard, looking at his pictures, particularly the one with the awkward steps, not to wonder, might have dreamed up after having been on one, for the little chandeliers which should have been hanging inside were on the outside pointing up.
68	Narrator	SKELETON CREW 1985 Literature	Other	Quotes	Quotes
	SKELETON CREW Narrator Narrator: "No, I'm going to do it," Deke said, going for his coat, and with a mixture of dismay and excitement, Randy noted Deke's grin-reckless and a little crazy. The two of them had been rooming together for three years now-the Jock and the Brain, Cisco and Pancho, Batman and Robin-and Randy recognized that grin. Deke wasn't kidding, he meant to do it. In his head, he was already halfway there.
69	Narrator	SKELETON CREW 1985 Literature	Other	Quotes	Quotes
	SKELETON CREW Narrator Narrator: LaVerne's panties were almost as transparent as her bra, the delta of her sex sculpted neatly in silk, each buttock a taut crescent.
70	Narrator	SKELETON CREW 1985 Literature	Other	Quotes	Quotes
	SKELETON CREW Narrator Narrator: I turned around. It was one of the truckers from the booth. He had blond stubble on his chin and there was a wooden kitchen match poking out of his mouth. He smelled of engine oil and looked like something out of a Steve Ditko drawing.
71	Narrator	HOWARD THE DUCK 1986 Film	Other	Quotes	Quotes
	HOWARD THE DUCK Narrator Narrator: What is, what was, and what will be start here with the words, "In the beginning, there was Howard the Duck."
72	Narrator	THE TOMMYKNOCKERS 1987 Literature	Other	Quotes	Quotes
	THE TOMMYKNOCKERS Narrator Narrator: He stood in the New and Improved Workshop, sweat on his forehead and sweat on his balls. No key. That was great. So what was he supposed to do? Grab Bobbi's ax and make like Jack Nicholson in The Shining? He could see it. Smash, crash, bash: Heeeeeere's GARDENER! Except that might be a bit hard to cover up before the pilgrims got back from The Viewing of the Sacred Hatch.
73	Narrator	THE ADVENTURES OF PETE & PETE 1989 TV Series	Other	Quotes	Quotes
	THE ADVENTURES OF PETE & PETE Narrator Narrator of Pete's movie about his father (featuring the music from 2001: A Space Odyssey): Dad - a man of vision. Dad - a man of strength. Yes, few mortal men have the coordination, the determination, and the overall niceness of Dad.
74	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: The ducks in St. James' Park are so used to being fed bread by secret agents meeting clandestinely that they have developed their own Pavlovian reaction. Put a St. James' Park duck in a laboratory cage and show it a picture of two men, one usually wearing a coat with a fur collar, the other something sombre with a scarf, and it'll look up expectantly.
75	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: It wasn't a dark and stormy night. It should have been, but there's the weather for you. For every mad scientist who's had a convenient thunderstorm just on the night his Great Work is complete and lying on the slab, there have been dozens who've sat around aimlessly under the peaceful stars while Igor clocks up the overtime.
76	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Voodoo is a very interesting religion for the whole family, even those members of it who are dead.
77	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: The lorry blocked the road. And the corrugated iron blocked the road. And a thirty-foot-high pile of fish blocked the road. It was one of the most effectively blocked roads the sergeant had ever seen.
78	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: The kraken stirs. And ten billion sushi dinners cry out for vengeance.
79	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Sister Mary headed through the night-time hospital with the Adversary, Destroyer of Kings, Angel of the Bottomless Pit, Great Beast that is called Dragon, Prince of This World, Father of Lies, Spawn of Satan and Lord of Darkness safely in her arms. She found a bassinet and laid him down in it. He gurgled. She gave him a tickle.
80	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: She'd stopped reading the kind of women's magazine that talked about romance and knitting and started reading the kind of women's magazine that talked about orgasms, but apart from making a mental note to have one if ever the occasion presented itself she dismissed them as only romance and knitting in a new form.
81	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Many phenomena - wars, plagues, sudden audits - have been advanced as evidence for the hidden hand of Satan in the affairs of Man, but whenever students of demonology get together the M25 London orbital motorway is generally agreed to be among the top contenders for exhibit A.
82	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide.
83	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Kids! Bringing about Armageddon can be dangerous. Do not attempt it in your home.
84	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Jaime had never realized that trees made a sound when they grew, and no-one else had realized it either, because the sound is made over hundreds of years in waves of twenty-four hours from peak to peak. Speed it up, and the sound a tree makes is vrooom.
85	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: In the Beginning It was a nice day.
86	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: If you take the small view, the universe is just something small and round, like those water-filled balls which produce a miniature snowstorm when you shake them. Although, unless the ineffable plan is a lot more ineffable than it's given credit for, it does not have a large plastic snowman at the bottom.
87	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: I don't see why it matters what is written. Not when it's about people. It can always be crossed out.
88	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Humans suffering from a conflict of signals aren't the best people to be holding guns, especially when they've just witnessed a natural childbirth, which definitely looked an un-American way of bringing new citizens into the world.
89	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: God does not play dice with the universe: He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, i.e. everybody, to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
90	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Five Pee. It helps to understand the antique finances of the Witchfinder Army if you know the original British monetary system:Two Farthings = One Ha'penny. Two Ha'penny = One Penny. Three Pennies = A Thrupenny Bit. Two Thrupences = A Sixpence. Two Sixpence = One Shilling, or Bob. Two Bob = A Florin. One Florin and One Sixpence = Half a Crown. Four Half Crowns = Ten Bob Note. Two Ten Bob Note = One Pound, or 240 pennies. One Pound and One Shilling = One Guinea. The British resisted decimalized currency for a long time because they thought it was too complicated.
91	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: Crowley was in Hell's bad books. Not that Hell has any other kind.
92	Narrator	GOOD OMENS 1990 Literature	Other	Quotes	Quotes
	GOOD OMENS Narrator Narrator: A man threw himself through the window, a knife between his teeth, a Kalashnikov automatic rifle in one hand, a grenade in the other. "I glaim gis oteg in der gaing og der." He paused. He took the knife out of his teeth and began again.
93	Narrator	HUDSON HAWK 1991 Film	Other	Quotes	Quotes
	HUDSON HAWK Narrator Narrator: Long ago, the Duke of Milan commissioned a little known artist to erect a Mammoth statue of a horse. The time was 1481. The artist was Leonardo da Vinci. The guy on the donkey's just a guy on a donkey.
94	Narrator	MOSTLY HARMLESS 1992 Literature	Other	Quotes	Quotes
	MOSTLY HARMLESS Narrator Narrator: Arthur didn't even know if Lamuella had had a paleozoic era. According to Old Thrashbarg the planet had been found fully-formed in the navel of a giant earwig at four-thirty one Vroonday afternoon, and although Arthur, as a seasoned galactic traveller with good 'O' level passes in Physics and Geography, had fairly serious doubts about this, it was rather a waste of time trying to argue with Old Thrashbarg and there had never been much point before.
95	Narrator	MOSTLY HARMLESS 1992 Literature	Other	Quotes	Quotes
	MOSTLY HARMLESS Narrator Narrator: The ship had come sweeping in over a dark and sombre landscape, a terrain so desperately far removed from the heat and light of its parent sun that it seemed like a map of the psychological scars on the mind of an abandoned child.
96	Narrator	THE CELESTINE PROPHECY 1993 Literature	Other	Quotes	Quotes
	THE CELESTINE PROPHECY Narrator Narrator: I knew the Manuscript's insights had finally merged in my mind into one consciousness. I was alert to the mysterious way my life evolved, as revealed by the First Insight. I knew that the whole culture was sensing this mystery again as well, and we were in the process of constructing a new world view, as pointed out by the Second. The Third and Fourth had showed me that the universe was in reality a vast system of energy and that human conflict was a shortage of and a manipulation for this energy.
97	Narrator	THE CELESTINE PROPHECY 1993 Literature	Other	Quotes	Quotes
	THE CELESTINE PROPHECY Narrator Narrator: The Fifth Insight revealed that we could end this conflict by receiving an inpouring of this energy from a higher source. For me, this ability had almost become habit. The Sixth, that we could clear our old repeated dramas, and find our true selves, was also permanently etched in my mind. And the Seventh had set in motion the evolution of these true selves: through question, intuition of what to do, and answer. Staying in this magic flow was truly the secret of happiness. And the Eighth, knowing how to relate in a new way to others, bringing out in them the very best, was the key to keeping the mystery operating and the answers coming.
98	Narrator	THE CELESTINE PROPHECY 1993 Literature	Other	Quotes	Quotes
	THE CELESTINE PROPHECY Narrator Narrator: All the Insights had integrated into a consciousness that felt like a heightened sense of alertness and expectation. What was left, I knew, was the Ninth, which revealed where our evolution was taking us.
99	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Michael Squints Palledorous walked a little taller that day. And we had to tip our hats to him. He was lucky she hadn't beat the crap out of him. We wouldn't have blamed her. What he'd done was sneaky, rotten, and low... and cool. Not another one among us would have ever in a million years even for a million dollars have the guts to put the move on the lifeguard. He did. He had kissed a woman. And he had kissed her long and good. We got banned from the pool forever that day. But every time we walked by after that, the lifeguard looked down from her tower, right over at Squints, and smiled.
100	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Hercules lived to be 199 years old... uh, in doggie years.
101	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: I was the last one to move away. But when I did, the Sandlot was still there. After Benny pickled the Beast, his reputation spread all over town. From then on, he was known as, "Benny 'The Jet' Rodriguez" and the nickname stuck with him for the rest of his life.
102	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Hamilton Porter became a professional wrestler. You know him as "The Great Hambino".
103	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: DeNunez played Triple A ball, but he never got to the majors. He owns he own business now and he coaches a little league team that his sons play on called, "The Heaters".
104	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Timmy and Tommy became an architect and a contractor. They started out small, designing playground equipment and prefabricated tree houses. But they became multimillionaires when they invented... mini malls.
105	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Bertram, well... Bertram got really into the '60s and no one ever saw him again.
106	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: I kept in touch with those guys over the years and I found out that Yeah-Yeah's parents had shipped him off to Military School. After the Army, he became one of the pioneering developers of bungee jumping. Of course, we all know why.
107	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: It was weird that Benny had said that Babe Ruth was like the Hercules of Baseball and the Beast's name ended up being Hercules. None of us could ever figure out what that meant, but we were all amazed by it.
108	Narrator	THE SANDLOT 1993 Film	Other	Quotes	Quotes
	THE SANDLOT Narrator Narrator: Squints grew up and married Wendy Peffercorn. They have nine kids. They bought Vincent's Drugstore, and they still own it to this day.
109	Narrator	DEAD AT 21 1994 TV Series	Other	Quotes	Quotes
	DEAD AT 21 Narrator Narrator: He can run, but he can't outrun his mind. It's coming apart, dream by dream.
110	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: For two years, Chloe's been crying in my arms during hug time, and now she's dead, dead in the ground, dead in an urn, mausoleum, columbarium. Oh, the proof that one day you're thinking and hauling yourself around, and the next, you're cold fertilizer, worm-buffet.
111	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Is Tyler my bad dream? Or am I Tyler's?
112	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: I used to work in a funeral home to feel good about myself, just the fact that I was breathing.
113	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he'd created himself. One minute was enough, Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
114	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: The security asked my name and address and phone number, and then he asked me what was the difference between a condom and a cockpit. 'You can only get one prick into a condom,' he said.
115	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Eyes closed, we imagined our pain as a ball of white healing light floating around our feet and rising to our knees, our waist, our chest. Our chakras opening. The heart chakra. The head chakra. Chloe talked us into caves where we meet our power animal. Mine was a penguin.
116	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: A single frame in a movie is on the screen for one-sixtieth of a second. Divide a second into sixty different parts. That's how long the erection is. Towering four stories tall over the popcorn auditorium, slippery red and terrible, and no one sees it.
117	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: After a night at fight club, everything in the real world gets the volumn turned down. Nothing can piss you off, your word is law, and if other people break the law or question you, even that doesn't piss you off.
118	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Home was a condominium on the fifteenth floor of a high-rise, a sort of filing cabinet for widows and young professionals. The marketing brochure promised a foot of concrete floor, ceiling, and wall between between me and any adjacent stereo or turn-up television. a foot of concrete was important when your next-door neighbour lets the battery on her hearing aid go and has to watch her game shows at full blast. Or when a volcanic blast of burning gas and debris that used to be your living-room set and personal effects blows out your floor to ceiling windows and sails down flaming to leave just your condo, only yours, a gutted charred concrete hole in the cliffside of the building.
119	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: I found stacks and stacks of Reader's Digest in the basement, and now there's a pile of Reader's Digest in every room. In the oldest magazines, there's a series of articles where organs in the human body talk about themselves in the first person: I am Jane's uterus. I am Joe's Prostrate. I am Joe's Gallbladder. I am Joe's Raging Bile Duct. I am Joe's Grinding Teeth. I am Joe's Inflamed Flaring Nostrils. I am Joe's White Knuckles. I am Joe's Enraged, Inflamed Sense of Rejection. I am Joe's Clenching Bowels.
120	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Where would Jesus be if no one had written the gospels?
121	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he'd created himself.
122	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: This was freedom. Losing all hope was freedom. If I didn't say anything, people in the group assumed the worst. They cried harder. I cried harder. Look up into the stars and you're gone.
123	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Think about the animals used in product testing. Think about the monkeys shot into space.
124	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: The old theatres that run a movie with two projectors, a projectionist has to stand right there to change projectors at the exact second so that the audience never sees the break when one reel starts and one reel ran out. You have to look for the white dots at the top, right-hand corner of the screen. This is the warning. Watch the movie, and you'll see two dots at the end of the reel.
125	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Sometimes you do something, and you get screwed. sometimes it's the things you don't do, and you get screwed.
126	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Nothing is static. Even the Mona Lisa is falling apart. Since fight club, I can wiggle half the teeth in my jaw. Maybe self-improvement isn't the answer. Maybe self-destruction is the answer.
127	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: I've met god across his long walnut desk with his diplomas hanging on the wall behind him, and god asks me, "Why?" Why did I cause so much pain? Didn't I realize that each of us is a sacred, unique snowflake of special unique specialness? Can't I see that we're all manifestations of love? I look at god behind his desk, taking notes on a pad, but god's got this all wrong. We are not special. We are not crap or trash either. We just are. We just are, and what happens just happens. And god says, "No, that's not right." Yeah. Well. Whatever. You can't teach god anything.
128	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: If a new car built by my company leaves Chicago traveling west at 60 miles per hour, and the rear differential locks up, and the car crashes and burns with everyone trapped inside, does my company initiate a recall? You take the population of vehicles in the field - A, and multiply it by the probable rate of failure - B, then multiply the result by the average cost of an out-of-court settlement - C. A times B times C equals X. This is what it will cost if we don't initiate a recall. If X is greater than the cost of a recall, we recall the cars and no one gets hurt. If X is less than the cost of a recall, then we don't recall.
129	Narrator	FIGHT CLUB 1996 Literature	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: I just don't want to die without a few scars, I say. It's nothing any more to have a beautiful stock body. You see those cars that are completely stock cherry, right out of a dealer's showroom in 1955, I always think, what a waste.
130	Narrator	JOHNNY BRAVO 1997 Animated Series	Other	Quotes	Quotes
	JOHNNY BRAVO Narrator Narrator: Submitted for your perusal - a routine passenger flight. Also for your consideration - the portrait of a man, one Johnny Bravo - a man afraid of very little, save the possible exception of clowns. And if he were to look out the window... And if he were to look out the window... he would discover that he and his mother have just booked one-way passage to the Zone Where Normal Things Don't Happen Very Often.
131	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: This is your life and it's ending one minute at a time.
132	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: A new car built by my company leaves somewhere traveling at 60 mph. The rear differential locks up. The car crashes and burns with everyone trapped inside. Now: should we initiate a recall? Take the number of vehicles in the field, A, multiply by the probable rate of failure, B, multiply by the average out-of-court settlement, C. A times B times C equals X. If X is less than the cost of a recall, we don't do one.
133	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: First one through this door gets a, gets a lead salad!
134	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: I felt like putting a bullet between the eyes of every Panda that wouldn't screw to save its species. I wanted to open the dump valves on oil tankers and smother all the French beaches I'd never see. I wanted to breathe smoke.
135	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: If I could wake up in a different place, at a different time, could I wake up as a different person?
136	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator (email): Worker bees can leave. Even droves can fly away. The queen is their slave.
137	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: Like so many others, I had become a slave to the IKEA nesting instinct. If I saw something clever like a little coffee table in the shape of a yin-yang, I had to have it. The Klipse personal office unit, the Hovetrekke home exer-bike, or the Johannshamn sofa with the stripe green stripe pattern. Even the Rislampa wire lamps of environmentally friendly unbleached paper. I'd flip through catalogs and wonder - what kind of dining set defines me as a person?
138	Narrator	FIGHT CLUB 1999 Film	Other	Quotes	Quotes
	FIGHT CLUB Narrator Narrator: And she ruined everything. This chick Marla Singer did not have testicular cancer. She was a liar. She had no diseases at all. I had seen her at Free and Clear - my blood parasites group Thursdays. Then at Hope, my bimonthly sickle cell circle. And again at Seize the Day, my Tuberculosis Friday night.
139	Narrator	SMUGGLER'S RUN 2000 Video Games	Other	Quotes	Quotes
	SMUGGLER'S RUN Narrator Narrator: We all know how you like to play with yourself, so this is gonna be a solo job.
140	Narrator	AMELIE 2001 Film	Other	Quotes	Quotes
	AMELIE Narrator Narrator: With a prompter in every cellar window whispering comebacks, shy people would have the last laugh.
141	Narrator	AMELIE 2001 Film	Other	Quotes	Quotes
	AMELIE Narrator Narrator: Amelie still seeks solitude. She amuses herself with silly questions about the world below, such as, How many people are having an orgasm right now?
142	Narrator	WAR OF THE WORLDS 2005 Film	Other	Quotes	Quotes
	WAR OF THE WORLDS Narrator Narrator: From the moment the invaders arrived, breathed our air, ate and drank, they were doomed. They were undone, destroyed, after all of man's weapons and devices had failed, by the tiniest creatures that God in his wisdom put upon this earth. By the toll of a billion deaths, man had earned his immunity, his right to survive among this planet's infinite organisms. And that right is ours against all challenges. For neither do men live nor die in vain.
143	Narrator	WAR OF THE WORLDS 2005 Film	Other	Quotes	Quotes
	WAR OF THE WORLDS Narrator Narrator: No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own, that as men busied themselves about their various concerns, they observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast and cool and unsympathetic regarded our planet with envious eyes and slowly, and surely, drew their plans against us.
144	Narrator	PUSHING DAISIES 2007 TV Series	Other	Quotes	Quotes
	PUSHING DAISIES Narrator Narrator: She said a prayer that the pie maker and Chuck would be happy, that Emerson would be rich, and that a slice of Georgia peach served hot with cinnamon ice cream would be forever known on the pie hole menu as an Olive Snook.
145	Narrator	ANGELS AND DEMONS 2009 Film	Other	Quotes	Quotes
	ANGELS AND DEMONS Narrator Narrator: The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
146	Narrator	G.I. JOE: RETALIATION 2013 Film	Other	Quotes	Quotes
	G.I. JOE: RETALIATION Narrator Narrator: Since the end of the Nanomite Wars, Captain Duke Hauser now leads Joe Tactical Operations. Under Duke's command are Roadblock, Lady Jaye, Flint and Snake Eyes. The ruthless terrorist known as Cobra Commander, and Destro have been captured by the G.I. Joes and placed in a maximum security prison. But the Cobra operatives, Storm Shadow and Zartan, remain at large. The unit and the world remain on high alert following Cobra Commander's final vow.
147	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: A taxi cab traveled through San Francisco from Chinatown to Marin. The car carried a single passenger, a woman. Her birth name, Adaline Bowman. Current alias, Jennifer Larson. This is the first and last chapter of her story.
148	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: On June 16, 1929, just as Adaline Bowman and her mother stopped to admire the expanse where three years hence construction would be finished on the Golden Gate Bridge, a young engineer displayed uncommon gallantry. Eighty-seven days later, Adaline married Clarence James Prescott at Old Saint Mary's Cathedral in San Francisco.
149	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: On February 17, 1937, eight workers and two engineers lost their lives when a section of scaffolding fell through a safety net during construction of the Golden Gate Bridge. Among the deceased was Adaline's husband.
150	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: The immersion in the frigid water caused Adaline's body to go into an anoxic reflex, instantly stopping her breathing and slowing her heartbeat. Within two minutes, Adaline Bowman's core temperature had dropped to 87 degrees. Her heart stopped beating. At 8:55, a bolt of lightning struck the vehicle, discharging half a billion volts of electricity and producing 60,000 amperes of current. Its effect was threefold. First, the charge defibrillated Adaline Bowman's heart. Second, she was jolted out of her anoxic state, causing her to draw her first breath in two minutes. Third, based on Von Lehman's Principle of Electron Compression in deoxyribonucleic acid, which will be discovered in the year 2035, Adaline Bowman will henceforth be immune to the ravages of time.
151	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: The immersion in the frigid water caused Adaline's body to go into an anoxic reflex, instantly stopping her breathing and slowing her heartbeat. Within two minutes, Adaline Bowman's core temperature had dropped to 87 degrees. Her heart stopped beating. At 8:55, a bolt of lightning struck the vehicle, discharging half a billion volts of electricity and producing 60,000 amperes of current. Its effect was threefold. First, the charge defibrillated Adaline Bowman's heart. Second, she was jolted out of her anoxic state, causing her to draw her first breath in two minutes. Third, based on Von Lehman's Principle of Electron Compression in deoxyribonucleic acid, which will be discovered in the year 2035, Adaline Bowman will henceforth be immune to the ravages of time.
152	Narrator	THE AGE OF ADALINE 2015 Film	Other	Quotes	Quotes
	THE AGE OF ADALINE Narrator Narrator: To ensure the freedom and safety of herself and her daughter, Adaline vowed to keep moving. Changing her name, residence, and appearance every decade. And never to speak a word of her fate to another living soul. In seven weeks, when Jennifer Larson disappears forever, and Susan Fleisher takes up residence in a remote farmhouse in Ashton, Oregon, Adaline Bowman, aside from one moment of weakness, will have kept her vow for the past 60 years.
153	Narrator	DIMENSION 404 2017 TV Series	Other	Quotes	Quotes
	DIMENSION 404 Narrator Narrator: I'm sorry, viewer. The TV show you're searching for cannot be streamed in your reality. Please stand by for reconnection.
154	Narrator	DIMENSION 404 2017 TV Series	Other	Quotes	Quotes
	DIMENSION 404 Narrator Narrator: In the darkest depths of cyberspace, there is another world. A lost dimension, home to wonders unseen, terrors unspeakable. Stories unlike any ever told until now. Do not click back. Do not reload. We have reconnected to... Dimension 404.
155	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: The screamer was a little boy in Star Wars pajamas. Hammering on doors with small fists that went up and down like pistons.
156	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: Helen tossed Luke the clothes. He wasn't expecting it, and dropped the underpants, which were imprinted with pictures of Spider-Man in various dynamic poses.
157	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: A soft computer voice said, "I'm sorry, Dave, I'm afraid I can't do that." For a moment Luke thought it was another slip-up - first Donna, then Dave - before realizing it was the voice of HAL 9000 from 2001: A Space Odyssey.
158	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: He left, once more feeling like a boy in a dream, or Alice down the rabbit hole.
159	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: "I'm sorry Dave, I can't do that," Avery said in a surprisingly good imitation of HAL 9000's softly sinister voice, and began to giggle.
160	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: If the five of them were able to create that united mental force, a kind of Vulcan Mind-Meld, shouldn't that be enough to mutiny and take Back Half over?
161	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: Kalisha was watching the Ward A kids and thinking about the Ohio State marching band. Her dad loved Buckeyes football, and she had always watched with him for the closeness. But the only part she really cared about was halftime show, when the band, the pride of the Buckeyes, the announcer always proclaimed, would take the field, simultaneously playing their instruments and making shapes that were only discernible from above - everything from the S on Superman's chest to a fantastic Jurassic Park dinosaur that walked around nodding its saurian head.
162	Narrator	THE INSTITUTE 2019 Literature	Other	Quotes	Quotes
	THE INSTITUTE Narrator Narrator: He turned to regard the misguided hero. He was broad shouldered as an authentic hero should be, but he was wearing glasses, and that didn't fit the stereotype. Of course there was always Clark Kent, Stackhouse thought.
163	Narrator	BARBIE 2023 Film	Other	Quotes	Quotes
	BARBIE Narrator Narrator: Since the beginning of time, since the first little girl ever existed, there have been dolls. But the dolls were always and forever baby dolls. The girls who played with them could only ever play at being mothers. Which can be fun, at least for a while, anyway. Ask your mother. This continued until...
164	Narrator	WEAPONS 2025 Film	Other	Quotes	Quotes
	WEAPONS Narrator Narrator: This is a true story that happened in my town. So this one Wednesday is like a normal day for the whole school, but today was different. Every other class had all their kids, but Mrs. Gandy's room was totally empty. And do you know why? Because the night before, at 2:17 in the morning, every kid woke up, got out of bed, walked downstairs, and into the dark... and they never came back.

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